history - beth mateskon
Statement on Authorship and Writing Practice
The writing samples included here were composed prior to the widespread public use of generative AI tools. They reflect my long-standing voice, research methodology, and stylistic preferences.
I currently use AI as a tool for drafting, brainstorming, and structural organization, much as one might use an editor, a thesaurus, or peer review. However, the intellectual architecture, argument development, lived experience, and conceptual framing in my work remain my own.
It is worth noting that stylistic elements such as the em dash, elevated syntax, layered metaphor, and rhetorical cadence predate AI by centuries. To equate punctuation or polish with machine authorship risks flattening the history of language itself.
We are in a moment that calls for deeper discernment. Strong writing should not be treated as suspicious. Instead, institutions must refine their evaluative frameworks to distinguish surface fluency from original thought.
Language has always functioned as a gatekeeper in academic and professional spaces. As we navigate AI integration, we are being asked not to lower our standards, but to raise our critical thinking. The task is not to eliminate tools. The task is to strengthen our capacity to recognize voice, argument, and intellectual integrity.
My work stands on its own merit, both before and alongside emerging technologies.
Sample Writings:
Bridegroom Essay: read here
Medicinal Mushrooms in Naturopathy: read here
Response | From Work to Text by Roland Barthes: read here
Research Projects
Creative Lineage and Community Origins
Ongoing research project, 2026–present
This research is currently in an active discovery phase, with six participating artists engaged in ongoing exploration. At this stage, the study is focused on gathering early narrative data, observing patterns in creative history, and documenting initial responses to guided art-making practices.
The Art of Walking
Participatory art research project, 2020
Practice-led inquiry exploring walking as an artistic methodology for observation, presence, and place-based engagement. Developed in collaboration with a curator at Frederik Meijer Gardens and Sculpture Park. Research integrates movement, gathering practices, and reflective documentation.
Mandalas and Cyclical Making
Ongoing participatory research, 2024–present
Investigation into ephemeral mandala creation rooted in sun and moon cycles. Research explores impermanence, pattern recognition, collective authorship, and cyclical time as pedagogical and artistic frameworks.
Publications
Presentations
Exhibitions
Grants
Community partnerships